Wednesday, March 14, 2012

How Long Until Pinterest Is Sued Into Oblivion Like Napster?

Pinterest, the hot new social sharing platform has a serious problem when it comes to the medium it’s designed to share. Despite careful wording on their about page that you agree not to post, upload, publish, submit, provide access to or transmit any content that infringes, misappropriates or violates a third party’s copyright… many (most) of the images on the site do just that. Several lawyers have weighed in on the controversy advising:

“…you should never pin an image on Pinterest for which you don’t own the copyright interest or for which you have not obtained a license from the copyright owner.”

– Jonathan Pink, a California-based intellectual property lawyer with Bryan Cave LLP via, WSJ.

Federal copyright laws give the author of any copyrighted work (which includes photographs and copyright attaches automatically as soon as the work is created) the sole and exclusive right to publish and reproduce such work. So, basically, when you see a photograph that you love, you do not have any right to publish or reproduce that photograph unless you took the photo or got consent from the photographer to use the photo.

…in my humble opinion, the only “safe” conclusion here, for me, is to either get off of Pinterest or pin only your own work or work you have a license to use.

– Kirsten Kowalski via, ddkportraits.com

If that’s not enough, Pinterest CEO and co-founder Ben Silbermann has completely deleted his boards: http://pinterest.com/ben/ even though he was named #2 in a list of 21 must follow Pinterest users on mashable.com.

On the flip side we have a very exciting way to share photography that some photographers like:

Photographers need to look beyond their own nose when it comes to social media web sites and copyright concerns. I’ve written about a fair number of photography rights grabs here on my blog and there have certainly been cases where there have been egregious violations of copyright that photographers should have been concerned about. By and large Pinterest has not proven to me they fit in that category. In addition social media web sites and the Internet as a whole are great tools to be exploited by photographers. Don’t be afraid of having your work seen. If you look beyond your own nose you’ll see these new tools and sites can be creatively applied to enhance your business versus kill it. Being creative isn’t just about taking photos its about creatively enabling your work to be found.

– Jim M. Goldstein via, Pinterest – Seeing beyond your own nose

I even have it on good authority that top creative directors are actively pinning and competing to have the most creative boards. My source tells me that it’s not impossible to imagine a future where your pin board is part of your resume.

So, I agree that there’s potential here to make a great service for sharing, driving traffic to, and bookmarking photographers. But they just haven’t figured out how to do it without running afoul of copyright laws.

Then there’s the separate matter of their heinous terms:

We may, in our sole discretion, permit Members to post, upload, publish, submit or transmit Member Content. By making available any Member Content through the Site, Application or Services, you hereby grant to Cold Brew Labs a worldwide, irrevocable, perpetual, non-exclusive, transferable, royalty-free license, with the right to sublicense, to use, copy, adapt, modify, distribute, license, sell, transfer, publicly display, publicly perform, transmit, stream, broadcast, access, view, and otherwise exploit such Member Content only on, through or by means of the Site, Application or Services. Cold Brew Labs does not claim any ownership rights in any such Member Content and nothing in these Terms will be deemed to restrict any rights that you may have to use and exploit any such Member Content.

Facebook has similar terms:

For content that is covered by intellectual property rights, like photos and videos (IP content), you specifically give us the following permission, subject to your privacy and application settings: you grant us a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that you post on or in connection with Facebook (IP License). This IP License ends when you delete your IP content or your account unless your content has been shared with others, and they have not deleted it.

And so does Twitter:

By submitting, posting or displaying Content on or through the Services, you grant us a worldwide, non-exclusive, royalty-free license (with the right to sublicense) to use, copy, reproduce, process, adapt, modify, publish, transmit, display and distribute such Content in any and all media or distribution methods (now known or later developed).

My prediction is that before they get sued into oblivion they will figure out a reasonable way to get it to work. But for those who think whiny photographers or outdated copyright laws are to blame, I’ll leave you with one last set of quotes to chew on:

For the first 1,500 years of the last two millennia, man was generally poor. Though there were empires and kingdoms, the gross world product (GWP) was largely flat. For generations, people did not experience any major change in their living standards.

And then something changed: the Western world introduced stronger property rights, including intellectual property rights, which allowed people to pursue new ideas, firm in the knowledge that success could bring financial rewards.

Today, all of the contemporary advanced economies have strong property rights, and data shows a strong correlation between property rights, productivity, living standards and innovation.

via Ndubuisi Ekekwe – Harvard Business Review.

Thursday, March 1, 2012

Is A Payday In Photography Like Playing Lottery

There’s an excellent piece in the NY Times last week titled “Why Are Harvard Graduates in the Mailroom?” that talks about the number of professions where workers accept lower-paying jobs in exchange for a slim but real chance of a large, future payday. Drug dealers have rich kingpins supported by hard working street-corner guys, ambitious accountants toil away at big firms in hopes of making partner, silicon valley startups use stock options to entice young people into working for free, Warner Brothers mailroom clerks accept $25,000 to $35,000 a year in hopes of making a meteoric leap like Barry Diller or David Geffen did, and aspiring actors watch rich people hand each other golden statues on TV each year with dreams of joining their ranks someday.

Certainly we can all see how photography fits nicely in the lottery model where there are a neat group of successful photographers at the top, a few jobs here and there that hint at a big payoff, but putting together a career in photography is harder and more lottery like than it looks. What’s really interesting and counter intuitive about the piece is how this lottery system is actually a good idea. It encourages hard work and attracts lots of potential candidates, but only lets the most tenacious through. The problem, as the NY Times notes, is that the comfortable plan B jobs are disappearing. Solid plan B jobs allow you to go for it and if it doesn’t work out you still have something interesting to fall back on for a career:

New York City and Los Angeles are buoyed by teachers, store owners, arts administrators and others who came to town to make it big in film or music or publishing, eventually gave up on that dream and ended up doing fine in another field.

I received this email recently from a reader who was dismayed at all the commenters on this blog who only look at photography as a six figure job:

I love your blog, but I am disappointed in your reader’s comments. Specifically on the article “Is editorial photography dead?“. Most of the photographers that comment fiercely oppose anyone trying to become a professional photographer and it is quite a deterrent for someone like myself just starting out. I read all the comments trying to understand where they are coming from, but I can’t, because it seems like your commenters are all photographers who used to make six figures. I was raised in a family who never made a six figure income, in fact none of my family ever went to college—I was the first. For me a good job is an income of not much more than $30,000 a year.

What your commenters don’t realize is that many people are happy making less. I have worked for several city magazines and I’ve found that they struggle to find ANY photographers to work with. It seems like most people only consider themselves successful if they work for major publications. I would love for you to highlight someone who is successful in their hometown, based on finding work at smaller magazines and local work. Many times the magazines I work with can’t even find journalists. I think smaller publications are often overlooked because they don’t pay tens of thousands of dollars for photo shoots, but I recently got a gig with one that paid over $3,000 and for just starting out, it was huge for me.

My point is, I just don’t think people actually look for the work, they expect it to come to them. I think many photographers, like other artists, are too snobby to actually go find a job. Instead, they expect publications to find them.

Did my reader miss the point of looking at photography as a high paying career? The lottery system produces talented, hardworking and tenacious photographers. That’s not necessarily a bad thing.

The NY Times goes on to say:

It’s not clear what today’s eager 23-year-old will do in 5 or 10 years when she decides that acting (or that accounting partnership) isn’t going to work out after all. The best advice may be to accept that economic success in America will come as much from the labor lottery as from hard work and tenacity. The Oscars make clear that there is only so much room at the top. In a lottery-based economy, you need some luck, too; now, perhaps, more than ever. People should be prepared to enter a few different lotteries, because the new Plan B is just going to be another long shot in a different field.

The plan B in photography was a mid-level career, but now we see photographers who test the waters in video, writing, publishing and teaching. Looking to enter as many lotteries as possible. Seems like a smart plan.

by A Photo Editor on February 28, 2012 · 46 comments

Friday, January 6, 2012

Studio Timelapse.

This was taken during a recent shoot in studio.
video

Wednesday, November 9, 2011

A Basin Opens for 2011 Season.




Published on October 14, 2011 @ 10:00 am
By

Arapahoe Basin, CO – More Colorado ski resorts launched into the 2011-12 season this week. Arapahoe Basin opened their lifts for the season at 9 a.m. Thursday morning, followed today by nearby Loveland Ski Area. In the state’s southwest corner, Wolf Creek will re-open tomorrow for its second weekend of skiing and riding

Arapahoe Basin’s snowmaking team worked relentlessly over the past week to produce snow for Thursday’s opening. The snowmakers’ efforts were complemented by early snowfalls in the area, including several fresh inches over the past week. Skiers and riders enjoyed an 18-inch base, and Black Mountain Express escorted guests to the intermediate High Noon run, and several features in the High Divide Terrain Park.

Perched on the Continental Divide, Arapahoe Basin and Loveland enjoy an elevation conducive to making snow and keeping conditions fresh for long periods of time. With a late season July 4 closing after one of the longest seasons in 14 years, Arapahoe Basin opened on Thursday after having been closed this summer for only 100 days.

“After an impressive season that extended for 10 months last year, it’s exciting that resorts are starting lifts and offering skiing in October,” said Melanie Mills, president and CEO of Colorado Ski Country USA (CSCUSA). “Having three resorts open at this point in the year gives people even more options and hopefully encourages people to take advantage of the natural playgrounds Colorado offers.”

Monday, October 31, 2011

Today's Daily Meditation.


A simple shift in attitude
can help us recognize the hidden potential for fulfillment in every event.


There is no secret recipe for happiness and contentment. The individuals who move through life joyously have not necessarily been blessed with lives of abundance, love, success, and prosperity. Such people have, however, been blessed with the ability to take the circumstances they‚ve been handed and make them into something great. Our individual realities are colored by perception˜delight and despair come from within rather than without. Situations we regard as fortuitous please us while situations we judge inauspicious cause us no end of grief. Yet if we can look at all we have accomplished without dwelling on our perceived misfortune and make each new circumstance our own, the world as a whole becomes a brighter place. A simple shift in attitude can help us recognize and unearth the hidden potential for personal and outer world fulfillment in every event, every relationship, every duty, and every setback.

The universe is often an unpredictable and chaotic place, and the human tendency is to focus on the negative and assume the positive will care for itself. But life can be no more or no less than what you make of it. If you are working in a job you dislike, you can concentrate on the positive aspects of the position and approach your work with gusto. What can you do with this job that can turn it around so you do love it. When faced with the prospect of undertaking a task you fear, you can view it as an opportunity to discover what you are truly capable of doing. Similarly, unexpected events, when viewed as surprises, can add flavor to your existence. By choosing to love life no matter what crosses your path, you can create an atmosphere of jubilance that is wonderfully infectious. A change in perspective is all it takes to change your world, but you must be willing to adopt an optimistic, hopeful mind-set.

To make a conscious decision to be happy is not enough. You must learn to observe life‚s complexities through the eyes of a child seeing everything for the first time. You must furthermore divest yourself of preconceived notions of what is good and what is bad so that you can appreciate the rich insights concealed in each stage of your life‚s journey. And you must strive to discover the dual joys of wanting what you have. As you gradually shift your perspective, your existence will be imbued with happiness and contentment that will remain with you forever.

Wednesday, October 26, 2011

DJ Luar




MACCSI Museum and Sonik Boom Records Presents

Sesion Sonora: Dj Luar - Ojo Fatuo in Venezuela

Come and Enjoy this show at the MACCSI Main Stage


December 1st 2011

Private Lightning Show
We will give away 300 C.D.’s to the first 300 people

* Luar Aka Ojo Fatuo Djluar

Colorado’s Techno Dance Music Record Label
Sonik boom records
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Beta Nightclub
Denver Nightclub Tips

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Dark Tekno - Minimal -Trance
November 5th 2010
At the Beatport Lounge

Dance Music, Minimal Tekno

You can check out his new music at
Electronic Music Record Label
Denver Nightclub Tips

Electro house Dj, Progressive House and Trance Dj, Dj Luar (Also Known As Ojo Fatuo) has been in the scene for many years, Winning Cannes Festival Best Shortfilm in 1999(Drama-Music), International Dj, Spinning Around the World. Ojo Fatuo was elected the Best Electro Music Dj During 1999 to 2001 in Venezuela. He is Living in Denver and actually He is the "1 DJ In Colorado State, United States and the Dj #341 in the World Ranking by thedjlist.com/ :
http://thedjlist.com/world/United_States/Denver/
http://thedjlist.com/djs/OJO_FATUO/

Luar Aleman was the father of the electronic music in Venezuela and He became famous after a 12 days of non-stop music party that he realized in his country in a small town in 1998 called "Patanemo" "Total Eclipse 98", where he shared stage with the European Electronic Music Movement and big DJ's Names. To this party came 1000 people from around Europe, including Cosma Shiva, Nina Hagen's daughter.

"Denver 2 Hours Before Rising", is a combination between Tech House and Trance Music, expressing his particular melodic sound combine with the pounding sound of the Trance Music. He was elected best Dj in His country and now he is Back with his new production. He will release his new full album on The summer of 2010: "Transitions"

He is working as a Dj and Music Production Teacher at "The International Media Insitute". DJ Electro House DJ, DJ Progressive House DJ, DJ Music, Trance Music, House Music Dj, Free Download Music, Cannes Festival Winner, International Dj, Shortfilm winner, Djluar, Progressive House Dj, Ojo fatuo

Luar - Dramachild - Imminent Domain - Minimal Dark Tekno